Wes Anderson's Roald Dahl Quartet Abounds in Audacious Artifice and Stinging Political Critique
Briefly

"They make even clearer what his features have long shown: Anderson is one of the two most original inventors of cinematic forms since the heyday of the late Jean-Luc Godard. The other is the late Iranian director Abbas Kiarostami."
"He expanded Dahl's brief story of cruelty...to emphasize the Foxes' family life-not just their emotional conflicts but also the stylish nobility of their resistance."
"At the same time, 'Fantastic Mr. Fox' also brought an aesthetic renewal: in discovering the joy of total control that stop-motion animation afforded, he learned..."
Read at The New Yorker
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