Adam Smyth sheds light on lesser-known figures in the history of books, highlighting their exceptional lives and contributions to the evolution of print culture.
Smyth emphasizes the innovative practices of individuals like Dutchman Wynkyn de Worde and sisters Mary and Anna Collett, showcasing their unique approaches to book-making.
The notion of 'glorious deformity' in book-making, as seen through practices like cutting up and reassembling texts, challenges the traditional view of stable texts and highlights the perpetual evolution of books.
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